It’s important to understand theories and the theorists who
made them because we as an audience don’t actually understand the background to
why music is how it is today. We are working class people who are seen as dumb
and stupid because we follow the popular culture and we need to understand
this. As media students, we should definitely have some sort of understanding
to the music culture we are around/what we follow everyday of our lives.
Popular Culture
Theory.
Popular culture is the understanding of ideas and attitudes
of the mainstream culture in society which has a large influence upon us an
audience. Popular culture became mainstream in the 1980’s and was influenced by
disseminating the cultural material. It was produced through mass media and was
able to through the audiences’ cultural products. Mainly our generation follow
the popular culture due to how much it relates to our lifestyle. The popular
culture theory says that popular music uses slang, imitates our lifestyle and
can relate to us as teenagers/young adults.
Antonio Gramsci –
Hegemony.
Gramsci was a leading Marxist thinker. He rejected economist
and insisted on the independence of ideology from economic determinism. Gramsci
also rejected cruse materialism which offers a humanist version of Marxism,
also focusing on human subjectivity.
Hegemony - The term means to look down upon the predominance
of someone's social class over others (bourgeois hegemony). This represents
political and economic control and the ability of the dominant class to project
its own way of seeing the world. This is so that those who are subordinated by
accepting it as ‘common sense’ and ‘natural’. This is involving willing and
active consent.
Gramsci emphasizes struggle. He said that ‘common sense is
not something rigid and immobile, but is continually transforming itself’.
Frankfurt School.
The Frankfurt school refers to a group of german-american
theorists who developed powerful analyses of changes in the western society
during the war. Two main theorists in the Frankfurt school are max Horkheimer
and Theodor Adorno.
Both theorists said “Programmes watch for their audiences
and popular music hears for those who listen”.
Theodor Adorno.
Adorno made the Hegemony triangle. This explains how the bourgeoisie
(higher class people like the government, royal family, politicians, etc.) are
the smart ones that know the real meaning of ‘True art’, which consists of
jazz, classical and ancient pieces of art. It explains that the working class
people (everyone else) are dumb and everything is ‘dumbed down’ for us to
understand. The in between is where stars, artists and other entertainers
belong. They distract us from the true art that only the bourgeoisie deserve to
have as the triangle represents that they will be the only people to understand
‘true art’.
Birmingham school and its theory is also based around the hegemony. Stuart hall is a cultural theorist and sociologist that supports Antonio Gramsci's theory. Stuart Created his theory from 1973 to 1980 and created the 'encoding' and 'decoding' theory. Encoding is a process by which a text is constructed by its producers. Decoding is when the audience read, understand and interpret. Stuart was inspired by Barthes Theory of Decoding and Encoding to create this.
Dick Hebdige mainly studied Subcultures and how they are made within the masses on the Adorno triangle. He is against Adorno's triangle as he suggests that within the working class group they are different personalities and different groups of individuals which will have an interest in different genres of music. not everyone listens to Pop or Hip Hop.
Conclusion: I learnt many different theorists/theories which may agree with each other to go against each other within the music industry and why people are entertained in different ways. My beliefs in the Popular Music Culture Theory is that it is made to entertain and relate to a wide range of audiences and is only made to keep us as an audience entertained. It creates no morals or life lessons which will help an individual, it just entertains with the typical beats and lyrics which everyone hears every single day. Popular Music Culture is repetitive and audiences fall for it all the time.
Birmingham school and its theory is also based around the hegemony. Stuart hall is a cultural theorist and sociologist that supports Antonio Gramsci's theory. Stuart Created his theory from 1973 to 1980 and created the 'encoding' and 'decoding' theory. Encoding is a process by which a text is constructed by its producers. Decoding is when the audience read, understand and interpret. Stuart was inspired by Barthes Theory of Decoding and Encoding to create this.
Dick Hebdige mainly studied Subcultures and how they are made within the masses on the Adorno triangle. He is against Adorno's triangle as he suggests that within the working class group they are different personalities and different groups of individuals which will have an interest in different genres of music. not everyone listens to Pop or Hip Hop.
Conclusion: I learnt many different theorists/theories which may agree with each other to go against each other within the music industry and why people are entertained in different ways. My beliefs in the Popular Music Culture Theory is that it is made to entertain and relate to a wide range of audiences and is only made to keep us as an audience entertained. It creates no morals or life lessons which will help an individual, it just entertains with the typical beats and lyrics which everyone hears every single day. Popular Music Culture is repetitive and audiences fall for it all the time.